Savannah: I think letting go of control is what ultimately allows me to appear more in control.

This editorial moves between very intimate black-and-white imagery and bright, almost cinematic portraits by the window. How did you connect with the different moods Daniele created for the shoot?

Daniele and I have been working together for three years. Over time, our relationship has evolved beyond the traditional photographer-model dynamic, and we have also become friends. Because of this, we naturally understand each other’s creative vision and can easily agree on the style and atmosphere we want to create.

I believe this sense of trust is what makes our images feel natural and spontaneous. Moving between the colorful, cinematic atmosphere and the more intimate black-and-white photographs didn’t feel challenging at all. Instead, it felt like stepping into different stories. Daniele also constantly guides me during our sessions, offering suggestions and small adjustments that help us achieve the best possible result.

What do you think this editorial reveals about you as a model that perhaps isn’t immediately visible in your other work?

I believe this editorial reveals that, for me, photography is much more than simply appearing in front of a camera. I consider it a form of artistic expression.

When I participate in a photoshoot, I approach it almost as an actress would approach a role. I believe every image should tell a story and convey a specific emotion. In this editorial, for example, I imagined myself as a woman enjoying a peaceful summer sunset by the window after a long, warm day, while the black-and-white photographs allowed me to explore a more sensual and introspective side.

Before every shoot, I always ask myself, “Who am I going to be in these photographs?” I think this mindset gives meaning and authenticity to every image.

There’s a real sense of confidence and vulnerability in these photographs. How do you find the balance between feeling exposed in front of the camera and still feeling completely in control of your image?

I believe I found this balance through experience. When I started doing shoots, I focused too much on the final result. I constantly worried about how I would look in the photographs, and that often made me appear unnatural.

Today, my approach is completely different. I focus on enjoying the experience itself and becoming fully present during the shoot. Instead of thinking about the final images, I concentrate on the emotions I’m trying to communicate in that exact moment. Ironically, I think letting go of control is what ultimately allows me to appear more in control.

How would you describe your creative chemistry with Daniele Prato? Was there a particular moment during the shoot when you felt that you were both completely in sync?

Because we have worked together for several years, communication between us feels spontaneous. We openly discuss our ideas before, during, and after every session, and we are always honest about our expectations and creative goals.

I don’t think there was one specific moment when we felt completely in sync, because that connection was present throughout the entire shoot. The level of trust and understanding we have built over time allows us to work comfortably together and achieve the best possible results.

The images feel very natural despite being highly stylized. What helps you move from simply “posing” to actually inhabiting the character or emotion of a photograph?

For me, the difference between posing and truly inhabiting a photograph lies in imagination.

I rarely think about poses alone. Instead, I create a small story in my mind and imagine myself as a specific character. I want every image to communicate something beyond aesthetics and evoke a genuine emotion.

Before every shoot, I tell myself, “Let’s pretend to be this person or inhabit this role for the shoot.” It may sound simple, but I believe this approach allows me to create photographs that feel more authentic and emotionally engaging.

When you look at the finished editorial now, which image or moment speaks to you the most—and why?

The photographs taken by the window are probably my favorite. I loved the atmosphere created by the sunset, the warm light, and the vibrant colors.

Everything seemed to come together naturally: the location, the light, and the mood. There was something very peaceful and cinematic about that moment, and I think those images perfectly capture the essence of the entire editorial.

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Model: Savannah Lorenzoni @savannah_lor_

Photographer: Daniele Prato @daniel.begher.ph