I wanted to represent Savannah in two completely different contexts: a home setting and a studio setting. The former aimed to highlight her femininity within the comfort of a home, while the latter, focusing more closely on detail, was meant to portray her womanhood decontextualized from any specific environment.

Daniele and I have been working together for three years. Over time, our relationship has evolved beyond the traditional photographer-model dynamic, and we have also become friends. Because of this, we naturally understand each other’s creative vision and can easily agree on the style and atmosphere we want to create. I believe this sense of trust is what makes our images feel natural and spontaneous. Moving between the colorful, cinematic atmosphere and the more intimate bl

The mood board was very minimal, so I had to fill its static style with my personality and modeling skills. I was given a kind of “blank page,” without specific instructions or guidance from which to draw inspiration. Knowing your strongest expressions and how to create shapes with your body is essential because it gives you a starting point.

When I filmed stories with my friends, I did it purely for fun. I gravitated toward the camera and wanted to emulate what I saw on screen. As I grew older, I found myself writing stories and was genuinely surprised that my friends and classmates wanted to read them.

I recently returned to photography after stepping away for about two years. I had changed a lot during that time, so I wasn’t interested in recreating the photographer I had been before. This series was really about turning the camera toward myself and discovering what my creative voice looks like now.

It was completely accidental. Modelling, particularly commercial modelling, had genuinely never crossed my mind. I didn’t even really know that world existed for someone like me. I’d fallen into the mindset that work meant sitting behind a desk, which I found quite routine and, if I’m honest, a bit draining. So the biggest shift wasn’t necessarily in how I saw myself, but in realising how other people saw me. I’d never imagined that I might have the look, personality or ener

I first began to see fashion photography as a deeply expressive language during my master’s degree. That was the turning point when I realized fashion isn’t confined to clothing or trends—it’s a broad category that can carry emotion. I understood that fashion can be anything, and that everyone has the power to define what fashion means to an audience. For me, that realization shaped my path by shifting my focus inward. I no longer wanted to just create beautiful images; I wa

Identity has always fascinated me because it is constantly evolving. We are shaped by our experiences, our emotions, our cultures, and the people we meet. At this moment in my life, I feel I have become more aware of how much beauty exists in embracing who we truly are rather than trying to fit into expectations. This editorial became a way to express that journey.

Thank you. For me, those words aren't just a title or a catchy phrase for a magazine cover. They are the exact summary of my reality. People see the final picture—the sunshine, the flowers, the coastal aesthetic—and they think it's just a pretty postcard life. But they don't see what it took to get here.

I always start with the idea, not the medium. Each form has its own strength: photography for the real, painting for symbolism, printmaking for reduction. Sometimes one is enough; sometimes combining them says it best.

Absolutely. I’ve been through many challenges in my life, and modeling has become a powerful tool for me to express those experiences without saying a word. Every pose, every look, and every image tells a part of my story. What began as an interest in fashion and photography evolved into something much deeper: a creative outlet where I can channel resilience, strength, vulnerability, and growth. There wasn’t just one defining moment in front of the camera. It was the realiza

For many years, I balanced modeling alongside my corporate career, but there came a point when I realized fashion wasn't simply an interest—it was where I felt most inspired and fulfilled. I wanted to dedicate my energy to building something that genuinely reflected who I am. Once I found the courage to truly pursue my dream, it felt both exciting and liberating. It meant choosing growth over comfort and trusting that discipline and consistency would help me build the career

During that very first experience, I was incredibly nervous! I had no idea how to stand or pose until my mother told me to just be myself. Since then, my relationship with the camera has evolved beautifully. I still get a little shy for the first few minutes of a shoot, but I warm up quickly and step confidently into my modeling space.

Working across different areas of the beauty industry has taught me not to limit myself to one style and to continuously evolve. Bridal makeup taught me how to create beauty that lasts through emotions, tears, and long hours. Editorial work gave me creative freedom and a deeper understanding of how makeup interacts with lighting and the camera. Fashion Weeks taught me discipline, speed, and the ability to adapt to any environment, while working with private clients constantly

Getting into fashion photography felt like more of a certainty for me, I started taking photos over 15 years ago when I used to skate, as I got older i quite skating and photography just kind of lingered in the background as I focused on my tattoo career, years later my now fiancé encouraged me to pick up a camera again and naturally I felt like street photography was the way as it felt closer to what I knew, however I found myself more attracted to taking photos of people an