The camera and photography came into my life when I was experiencing a hard period. I was encouraged to start doing something other than working and going to the gym. After attempting several other activities, I picked up a camera and worked my way through the manual, online videos and, eventually, photography classes. During that process, I discovered a highly technical craft that also allowed me to express myself artistically.

I first found my way into modeling through my love for fashion, photography and visual expression. I was always fascinated by how clothing, styling and the body can tell a story without needing many words. As I became more involved in creative projects, I realized that I was most drawn to editorial modeling. I enjoy becoming part of a concept and exploring different emotions, characters and sides of myself through an image. Over time, I understood that modeling was not only a

Hollywood Debut : Sangita Konar Hollywood Debut as Lead Hollywood Heroine & Singer (Hollywood , USA) Canada Beauty Queen, Heroine Sangita Konar Hollywood Debut as an Hollywood Heroine & Singer, She has been sung an 10

I believe clothing can reveal a person’s character before they say a word. It can communicate confidence, individuality and even the way someone sees the world. For me, fashion is a language of self-expression — a way to be seen without having to explain who you are.

In their own ways, all these worlds speak to me and they brought out a different side to me in each shoot. But I would say the historic interior and the cherry blossoms photoshoot are closer to me as a model. Nature has so many wonderful, amazing places, phenomenas, and otherworldly beauty. Historic interiors carry such beauty, romanticism, a classic elegance and even mystery in them. I love shooting in nature and historic buildings and to do so in two beautiful dresses, it’s

I wanted to represent Savannah in two completely different contexts: a home setting and a studio setting. The former aimed to highlight her femininity within the comfort of a home, while the latter, focusing more closely on detail, was meant to portray her womanhood decontextualized from any specific environment.

Daniele and I have been working together for three years. Over time, our relationship has evolved beyond the traditional photographer-model dynamic, and we have also become friends. Because of this, we naturally understand each other’s creative vision and can easily agree on the style and atmosphere we want to create. I believe this sense of trust is what makes our images feel natural and spontaneous. Moving between the colorful, cinematic atmosphere and the more intimate bl

The mood board was very minimal, so I had to fill its static style with my personality and modeling skills. I was given a kind of “blank page,” without specific instructions or guidance from which to draw inspiration. Knowing your strongest expressions and how to create shapes with your body is essential because it gives you a starting point.

When I filmed stories with my friends, I did it purely for fun. I gravitated toward the camera and wanted to emulate what I saw on screen. As I grew older, I found myself writing stories and was genuinely surprised that my friends and classmates wanted to read them.

I recently returned to photography after stepping away for about two years. I had changed a lot during that time, so I wasn’t interested in recreating the photographer I had been before. This series was really about turning the camera toward myself and discovering what my creative voice looks like now.

It was completely accidental. Modelling, particularly commercial modelling, had genuinely never crossed my mind. I didn’t even really know that world existed for someone like me. I’d fallen into the mindset that work meant sitting behind a desk, which I found quite routine and, if I’m honest, a bit draining. So the biggest shift wasn’t necessarily in how I saw myself, but in realising how other people saw me. I’d never imagined that I might have the look, personality or ener

I first began to see fashion photography as a deeply expressive language during my master’s degree. That was the turning point when I realized fashion isn’t confined to clothing or trends—it’s a broad category that can carry emotion. I understood that fashion can be anything, and that everyone has the power to define what fashion means to an audience. For me, that realization shaped my path by shifting my focus inward. I no longer wanted to just create beautiful images; I wa

Identity has always fascinated me because it is constantly evolving. We are shaped by our experiences, our emotions, our cultures, and the people we meet. At this moment in my life, I feel I have become more aware of how much beauty exists in embracing who we truly are rather than trying to fit into expectations. This editorial became a way to express that journey.

Thank you. For me, those words aren't just a title or a catchy phrase for a magazine cover. They are the exact summary of my reality. People see the final picture—the sunshine, the flowers, the coastal aesthetic—and they think it's just a pretty postcard life. But they don't see what it took to get here.

I always start with the idea, not the medium. Each form has its own strength: photography for the real, painting for symbolism, printmaking for reduction. Sometimes one is enough; sometimes combining them says it best.