I think when there’s more to build from, it allows for more transformation. It’s like taking each experience and adding it to the next. Bringing all the consciousness I’ve collected from and making it fit into a cohesive narrative, becoming that narrative inside and out, conveying it by wearing whatever I feel like wearing. My identity has been shaped by my ancestry, music, fashion and spirituality.

The early experiences were great, because I had an early introduction to the industry and how it runs. Although I didn't understand it as a kid, it does help me now as an adult and gives me confidence with the fact that I am very familiar with everything.

I always had a do-it-yourself attitude, which I got from my parents growing up. For me, learning to sew and crochet felt like an intuitive skill; if I really wanted to fix something or make clothing that I couldn’t get, I had these skills to make things happen. I’m also a very detail-oriented person; I can get lost in things for hours on end, so the beauty in Victorian, handmade garments was mesmerizing to me. I fell in love with gothic aesthetics first; it’s hard to describe

My name is Beata Legowska- Singh. I come from Poland. I graduated Spatial Planning and Real Estate Management. However there were some changes in my private life that contributed to my going abroad to Norway. Not knowing the language , i worked in a factory and at the same time i started learning Norwegian. After completing the Norwegian course i started working in a nursing home for the eldery. In my free time i began to need a break from hard and demanding work and that' s

felt fun, feminine, and expressive. Being born and raised in San Diego, it was especially meaningful to shoot at my hometown’s main university. The setting naturally reinforced the idea of confidence shaped by growth and self-awareness. It allowed me to connect with the concept in a personal and authentic way.

I think when there’s more to build from, it allows for more transformation. It’s like taking each experience and adding it to the next. Bringing all the consciousness I’ve collected from and making it fit into a cohesive narrative, becoming that narrative inside and out, conveying it by wearing whatever I feel like wearing. My identity has been shaped by my ancestry, music, fashion and spirituality.

My practice is about shaping meaning through visual systems. I’m interested in how design can hold emotion, memory, and context; how it can communicate something felt rather than just seen. I work between structured design systems and more intuitive, experimental graphic work, often using design to understand people, environments, and cultural narratives.

Despite coming from different disciplines and backgrounds, we shared a similar visual language and a desire to create fashion work that felt deliberate and uncompromising. Over time, casual conversations turned into a clear intention: to build something consistent, not one-off, rooted in trust and shared curiosity!

Food was how my family showed up for people. Through Acacia Alley, I learned early that cooking wasn’t just about feeding others — it was about care, responsibility, and presence. Meals marked milestones, comforted grief, and brought people together. Food carries memory, and that’s still how I see it today.

Initially I started this during Covid lockdown, when collaborating with photographers and makeup artists wasn’t an option. While I still love sharing someone else’s vision, with this shoot I had something very specific in mind and I feel fortunate to have the tools and ability to fulfill all these roles on a shoot.

Starting on the other side of the camera completely shaped how I see fashion and photography. As a model, I learned how images are built through collaboration and team work, how light, movement, and emotion transform clothes into visual storytelling and how angles and poses work within an image. That perspective continues to guide me today, grounding my work in intention, and a deep respect for visual storytelling as a shared process.

I began photography out of pure curiosity, which gradually evolved into a passion for storytelling. Over time, I realized I was more interested in expressing emotion and identity than simply creating images, and that shift shaped my approach.

You’re recognised internationally as both a hairdresser and a photographer. How has working at the highest level in hairdressing shaped the way you photograph hair? Hairdressing gives me an instinctive understanding of structure, balance, and detail. I don’t just see how hair looks — I understand how it’s meant to behave. That knowledge allows me to photographhair with intention and respect, while still pushing it creatively. Your photography is often described as mood-driven

I’ve always loved fashion and wanted to be a model from my teens, as I enjoyed being in front of the camera. When I came to London for music university, I booked a photoshoot a studio, and I then began to get work in the fashion industry.

Bazhan Iuliia is an international fashion model known for her striking editorials, runway presence and unique personal story. She has worked with designers and photographers across Europe and Asia. Her creative energy, emotional depth, and bold identity as an autistic model make her a standout figure in today’s fashion industry. In this interview for Malvie, she shares her vision, values, and path to becoming a global fashion name.