top of page
MALVIE Magazine Logo White.png

The Art of Everyday Dressing

6 hours ago
1 min read

The Art of Everyday Dressing is a fashion editorial photographed and retouched by Souvik Saha with Laly as model and makeup by Neha Bapari, published in the printed edition MALVIE Effortless Chic 165.


From the printed edition: MALVIE Effortless Chic 165


The Art of Everyday Dressing is one of the editorials in MALVIE Effortless Chic 165, the new printed edition of MALVIE Magazine, alongside I See Red, Autumn Pearls, Two Sides of Elegance and Eternal amoR.


The printed edition will be available to order from our print partners MagCloud, Peecho and DPBee.



About The Art of Everyday Dressing

Three looks for three moods, all against a warm caramel backdrop: a fitted plum mermaid dress with puff sleeves and jewelled bow details, a white silk shirt with a pleated camel midi skirt, and a cream knit sweater with white trousers.


A structured cream and tan handbag carries through the series, held up beside the face or swinging at the hip, while Laly moves from a dramatic backward lean to calm seated portraits and easy, hands-in-pockets standing poses. Everyday dressing, treated as an art.


Laly in a plum mermaid dress leaning back dramatically with a brown handbag
Model in a fitted plum dress with jewelled bows and a hand on her hip
Model standing in a plum mermaid dress against a caramel backdrop
Model in a plum puff-sleeved dress with a hand on her hip
Model in a white silk shirt holding up a cream and tan structured handbag
Model seated in a white shirt and pleated camel skirt beside a handbag
Model in a white shirt and pleated camel skirt holding a structured handbag
Model in a white silk shirt with a cream handbag at her hip
Model in a cream knit sweater and white trousers with a hand in her pocket
Model in a cream sweater and white trousers with long dark waves

The Art of Everyday Dressing credits

Photographer/Retoucher: Souvik Saha @rikzcapture

Model: Laly @a_lalyfeels

Makeup Artist: Neha Bapari @mua_neha_bapari

Comments


© 2022 by Marius Ciobanu

bottom of page